2012-07-11 · The National Gallery of Denmark has invited Emily Wardill to make a videoproject in the x-room. The result is a fascinating love story, that unfolds into a tale about the relationship between body

2017-05-22

Playing next. 9:43. 2017 Mid-Atlantic Interview With Anna Howard & Emily Hillsman _ 2017 Mid Interview with Emily Wardill. Share this to Facebook Share this to Twitter Share this to LinkedIn . Matt Black and Rat. What does this title suggest?

ESSAYS/ ARTICLES. MUSIC Emily Wardill (*1977) lives and works in Lisbon, Portugal and Malmo, Sweden. Wardill’s work has been exhibited in solo shows including Secession (2020) Kohta (2019) Bergen Kunsthall (2017), Gulbenkian Project Spaces (2017), INDEX, Stockholm (2014), The National Gallery of Denmark, Copenhagen (2012); Emily Wardill | Catalogues. ESSAYS/ ARTICLES.

Human, BeingThe other day whenlistening to the radio Iheard an interview (2012) by Emily Wardill,perpetually reminds us of our relationship to ourbody.

Wardill’s work has been exhibited in solo shows including Secession (2020) Kohta (2019) Bergen Kunsthall (2017), Gulbenkian Project Spaces (2017), INDEX, Stockholm (2014), The National Gallery of Denmark, Copenhagen (2012); Emily Wardill | Catalogues. ESSAYS/ ARTICLES. MUSIC For her show last year at Fortescue Avenue in London the artist Emily Wardill presented two new films, The Diamond (Descartes' Daughter) (2008) and Sea Oak (2008).

“Emily Wardill, The Palace,” for the exhibition of the same title, Salzburger Kunstverein Public interview with Hildegund Amanshauser, Salzburger Kunstverein,

Join us on e-flux Video & Film for an online screening of Emily Wardill 's I gave my love a cherry that had no stone (2016), on view from Monday, December 7 through Sunday, December 13, 2020. Emily Wardill (born in 1977 in England, lives in Portugal) has not exhibited in Finland before, but she is well known in the European art scene for films and installations that are both embodiments of thought and meditations on things, both language-based abstractions and corporeal sensations.. Bi, a new work commissioned by Kohta, is half of a diptych reversing Eugene O’Neill’s famous Paranoia, hallucination and expectation; making sense of hidden systems ‘Emily Wardill’, Jessica Lack, Guardian Guide, 2006 ‘The Feast Against Nature’, Bruce Haines, Art Monthly, October 2004, ‘Group Shows are a Waste of Time’, Martin Herbert ,Time Out, September 2003 Emily Wardill (born 1977 in Rugby, England), is a British artist and film maker.. She studied fine art at Central St. Martins College of Arts and Design in London.

From Hitchcock in Rear Window 20 Nov 2019 Interview by Julie Uusinarkaus | Artwork by Emily Wardill | Photographs by Jussi Tiainen, courtesy of Kohta. Bi is a new work by Emily Wardill Emily Wardill is a British artist and film maker. She studied fine art at Central St. Martins College of Arts and Design in London.
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I gave my love a cherry that had no stone, 2016. Contact for price. Gorky’s Fire, 2015.

Her most recent The Personification of Film · EnglishArtReviewFilmSecessionEmily Wardill. © 2021 PW-Magazine. About.
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Emily Wardill (born 1977 in Rugby, England), is a British artist and film maker.. She studied fine art at Central St. Martins College of Arts and Design in London. In 2010, Wardill was awarded the Film London Artists' Moving Image Network Jarman Award, which allowed her to show her works on national television in the UK. Wardill was awarded a Philip Leverhulme Prize in Visual and Performing

Night for Day . September 18 – November 8, 2020 . Galerie . Press conference: Thursday, September 17, 2020, 11 a.m. series of extensive interviews with Isabel do Carmo, a revolutionary resistance fighter against the fascist regime in Portugal that fell in 1974, Biography and art, auction, artworks, interview, statement, website: Emily Wardill Following sources of philosophy, science and culture, Emily Wardill recomposes text and image material from the history of ideas—such as the motives of medieval church windows or theoretical treatises from Ruskin to Rancière—and develops a many layered and intense meshwork of autonomous statements and … Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination. Emily Wardill.